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Amazing things have started to happen.
From my point of view as “writer” or in this case adaptor/translator and upholder of the text… the moments where the words really start to come alive is incredibly thrilling.
The play respecting the Noh tradition - without being Noh (which would be impossible for us here) - is combining physicality, […]
OK. So don’t get me started on the “tick boxing” and categorisation of people.
*
Interestingly, categorisation seems to be a very human trait, I did some of my degree in this area of Experimental Psychology. Did you know that sheep dog farmers, show similar face recognition categorisation characteristics to naming their sheep dogs as “normal” people […]
Both slightly scard and excited with rehearsals for Nakamitsu starting.
It’s probably my biggest play so far, in terms of venue and reputation, even if it is in the tiny Gate theatre.
It struck me once again, through auditions and now into rehearsals how many committed actors and theatre professionals there are out there, many with years […]
I’ve come across this brilliant archive resource at the British Library.
In their words:
Project overview: This website accompanies a five-year project (2003-2008) to reinvestigate British theatre history 1945-1968, from the perspectives of both the theatregoer and the practitioner.
You can now access:
a unique oral history of British theatre 1945-1968, with transcripts (sound extracts will be added later)
a […]